Tag: Venus
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01 Work, Interpretations of Olympian deities, Francesco Furini’s Venus Mourning the Death of Adonis, with footnotes #32
One day while out hunting Adonis was slain by a wild boar, an accident Venus has always dreaded. Hearing his dying groans as she flew overhead in her chariot, she came down to aid him, but was too late. In the place where the earth was stained with Adonis’ blood, anemones sprouted. In Greek mythology,…
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01 Paintings, Olympian deities, Prague School’s Venus, Bacchus and Cupid, with footnotes # 43
Venus and Love/ Venus and Cupid. Different tales exist about the origin of Venus and Cupid. Some say that Venus, the goddess of love and beauty, had a love affair with Mars, the god of war. Out of this relationship, Cupid was born. Cupid has attributes from both of his parents. Like his mother he is considered…
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17 Works, January 2nd. is Piero di Cosimo’s day, her art, illustrated with footnotes #259
In the upper part is Moses kneeling on Mount Sinai, with a sleeping Joshua nearby: he receives the Tables of the Law from Yahweh, who appears in a luminescent cloud, surrounded by angels. In the foreground, on the left, Moses brings the Tables to the Israelites. In the background is camp of tents, with the…
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29 Works, December 14th. is Károly Lotz’s day, his art, illustrated with footnotes #250
Lotz Károly Antal Pál, or Karl Anton Paul Lotz (16 December 1833–13 October 1904) was a German-Hungarian painter. Lotz was born in Bad Homburg vor der Höhe, Germany, the 7th and youngest surviving child of Wilhelm Christian Lotz and Antonia Höfflick. His father was a valet of Prince Gustav zu Hessen-Homburg at the time when…
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26 Works, December 3rd. is Frederic Leighton’s day, his art, illustrated with footnotes #244
This is one of the most dramatic and powerful works, painted in the dark and solemn style of Leighton’s late career. Leighton’s tondo shows the resurrection of the dead, as described in the Book of Revelation: ‘And the sea gave up the dead which were in it; and death and hell delivered up the dead…
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17 Works, November 26th. is Giuseppe Bezzuolis day, his art, illustrated with footnotes #242
The painting depicts a scene from Florentine history. On the 17th of November 1494, following his conquest of the Kingdom of Naples, King of France Charles VIII made his entrance into Florence as ruler. Because of his isolation and lack of allies, Piero de’ Medici, the son of Lorenzo the Magnificent who ruled the city…
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14 Works, November 26th. is Antonio Carneo’s day, his art, illustrated with footnotes #241
Depicting a young man who compresses his bowels in the presence of a group of bystanders who follow his spasms with apprehension or try to help him, it is described ab antiquo with the title with which it is still remembered today. However, since it is difficult to represent a generic poisoning scene (provoked or…
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23 Works, November 1st. is Cornelis Cornelisz’s day, his art, illustrated with footnotes #229
The Last Supper is based on a late 15th-century mural painting by Leonardo da Vinci in the refectory of the Convent of Santa Maria delle Grazie, Milan. It is one of the world’s most famous paintings. The painting represents the scene of The Last Supper of Jesus with his disciples, as it is told in…
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31 Works, October 30th. is s day, her art, illustrated with footnotes #228
Maria Anna Angelika Kauffmann RA (30 October 1741–5 November 1807), usually known in English as Angelica Kauffman, was a Swiss Neoclassical painter who had a successful career in London and Rome. Remembered primarily as a history painter, Kauffmann was a skilled portraitist, landscape and decoration painter. She was, along with Mary Moser, one of two…
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29 Works, October 9th. is Benjamin West’s day, his art, illustrated with footnotes #220
The title of this painting is taken from the final book of the Bible, the Revelation of Saint John the Divine, which has often been interpreted as a symbolic description of warfare: “And I looked, and behold a pale horse: and his name that sat on him was Death, and Hell followed with him. And…
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18 Works, October 9th. is Jean-Baptiste Regnault’s day, his story, illustrated with footnotes #219
Signature of the marriage contract of Prince Jérôme Bonaparte and Frédérique-Catherine of Wurtemberg. In the presence of the imperial family at the Tuileries, August 22, 1807 Depicted people: Caroline Bonaparte, Elisa Bonaparte, Hortense de Beauharnais, Jerome Bonaparte, Joseph Bonaparte, Josephine de Beauharnais, Julie Clary, Letizia Bonaparte, Louis-Alexandre Berthier, Louis Bonaparte, Napoleon, Pauline Bonaparte Jean-Baptiste Regnault…
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15 Works, July 11th. is Charles-Antoine Coypel’s day, his story, illustrated with footnotes #188
Andromaque is a tragedy in five acts by the French playwright Jean Racine written in alexandrine verse. The play takes place in the aftermath of the Trojan War, during which Andromache’s husband Hector, son of Priam, has been slain by Achilles and their young son Astyanax has narrowly escaped a similar fate at the hands…
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12 Works, July 3rd. is John Singleton Copley’s day, his story, illustrated with footnotes #180
In 1749, 14–year–old Brook Watson had been attacked by a shark while swimming in Havana Harbor. Copley’s pictorial account of the traumatic ordeal shows nine seamen rushing to help the boy, while the bloody water proves he has just lost his right foot. To lend equal believability to the setting Copley, who had never visited…
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Lavinia Fontana, Mars and Venus 01 Painting, The amorous game, Part 64 – With Footnotes
In a bedroom a man and a young woman pose as Mars and Venus. She is completely naked and looks back: she stares at us and hands us a narcissus flower. He has only his helmet on his head and a drape covers his private parts: he looks at her and, almost frightened, puts his…
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Sir Edward Coley Burne-Jones, VENUS RISING FROM THE SEA 01 Paintings, Olympian deities, by the Old Masters, with footnotes # 30
Sir Edward Coley Burne-Jones, Bt., A.R.A., R.W.S. VENUS RISING FROM THE SEA Oil on canvas 41 by 24cm., 28¼ by 10in. Private collection The style of the picture suggests that it was painted in the late 1860s as Burne-Jones transitioned from the Medievalism of his earlier watercolours to the more Aesthetic style of his oils.…
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Circle of Nicolas Poussin, Venus and Cupid 01 Paintings, Olympian deities, by the Old Masters, with footnotes # 22
Circle of Nicolas Poussin, (1594 – 1665) Venus and Cupid Oil on canvas 33 x 42.5 cm.; 13 x 16 3/4 in. Private collection Venus and Love/ Venus and Cupid. Different tales exist about the origin of Venus and Cupid. Some say that Venus, the goddess of love and beauty, had a love affair with Mars, the god…
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Italian School, Sleeping Venus with Cupid 01 Paintings, Olympian deities, by the Old Masters, with footnotes # 23
Italian School, c. 1660 Sleeping Venus with Cupid Oil on canvas 75 x 130 cm Private collection This “Sleeping Venus” has not yet been assigned an author. The motif, with the goddess here depicted life-sized in an elongated landscape format, derives from the works of 16th century Venetian artists such as Giorgone and Titian. Paris…
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Giovanni Bilivert, VENUS, CUPID AND PAN 01 Paintings, Olympian deities, by the Old Masters, with footnotes # 19
Giovanni Bilivert, FLORENCE 1585 – 1644 VENUS, CUPID AND PAN Oil on copper 18 by 13 in.; 45.7 by 33 cm. Private collection Venus, goddess of love, is dipping her feet in a shallow, crystalline pond. Naked save for her pearl headdress and earrings, she is assisted by Cupid who washes her left leg. He is…
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Sebastiano Ricci, BELLUNO 1659 – 1734 VENICE, VENUS IN THE FORGE OF VULCAN 01 Paintings, Olympian deities, by the Old Masters, with footnotes, #10a
Sebastiano Ricci, BELLUNO 1659 – 1734 VENICE VENUS IN THE FORGE OF VULCAN Venus going to Vulcan for the Arms of Aeneas Oil on canvas 73 1/8 by 102 1/2 in.; 185.7 by 260.2 cm. Private collection Venus, the goddess of love, looks down at Cupid. Venus went to her husband Vulcan’s forge and asked him…
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House of Venus and Mars/ Ares and Aphrodite 01 Fresco, Olympian deities, by the Old Masters, pictorial decoration of the mansions of Pompeii, with footnotes, #10a
House of Venus and Mars/ Ares and Aphrodite Between circa 75 and circa 100 AD Fresco on plaster cm 99 x 90 National Archaeological Museum of Naples Venus and Mars Fresco above shows the Roman gods Venus, goddess of love, and Mars, god of war, in an allegory of beauty and valour. The Fresco was probably intended to…
Zaidan Gallery 