Tag: Roman
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01 Painting, Olympian deities, by the Old Masters, NORMAN LINDSAY’s Leda and the Swan, with footnotes # 37
Leda, in Greek legend, usually believed to be the daughter of Thestius, king of Aetolia, and wife of Tyndareus, king of Lacedaemon. She was also believed to have been the mother (by Zeus, who had approached and seduced her in the form of a swan) of the other twin, Pollux, and of Helen, both of whom…
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39 Works by Old Masters Artists Embedded with Helen of Troy, with Footnotes
Throughout his career, Gustave Moreau showed remarkable fidelity to the character of Hélène de Troie by devoting an exceptionally rich ensemble to her. Main rival of Salomé in the heart of the artist, the most beautiful woman of antiquity appeared in his work in 1852, then returned triumphantly in the company of Galatea on the…
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45 Works, Leda and the Swan, art from the Greek myth, with footnotes
Paul Beckert was taught in the Dresden and Munich academies. He married Anna Leontine von Frank in 1883, which gained him access to a broad network of patrons in the Prussian aristocracy. He portrayed Emperor William I and Field Marshall Moltke (now in the Kunstsammlungen Chemnitz) among many others. More on Paul Beckert Leda and…
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01 Work, Contemporary Interpretations of Olympian deities, Pavol Kajan’s Venus Anadyomene, with footnotes #27
Venus Anadyomene, “Venus Rising From the Sea”), is one of the iconic representations of the goddess Venus, made famous in a much-admired painting by Apelles, now lost, but described in Pliny’s Natural History, with the anecdote that the great Apelles employed Campaspe, a mistress of Alexander the Great, for his model. The subject never entirely…
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01 Painting, Olympian and Roman deities, Francesco Trevisani’s LUCRETIA, with footnotes #192
Lucretia, legendary heroine of ancient Rome. According to tradition, she was the beautiful and virtuous wife of the nobleman Lucius Tarquinius Collatinus. Her tragedy began when she was raped by Sextus Tarquinius, son of Lucius Tarquinius Superbus, the tyrannical Etruscan king of Rome. After exacting an oath of vengeance against the Tarquins from her father…
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02 Works, Contemporary Interpretations of Olympian deities by Patrick Palmer, with footnotes #26
“I have left a lot of the painting unfinished — or even left out altogether in places — to maintain the focal point (the face) and to keep the simple key lines and design working together.” Patrick Palmer “Triptych inspired by the 3 muses. Whilst an element of realism is important, I try to move beyond artistic convention and…
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08 Carvings, Olympian deities, Classical Sculpture of Greek and Roman religion, Sculpture, with footnotes, #2
Cephalus is a name, used both for the hero-figure in Greek mythology, and carried as a theophoric name by historical persons. The word kephalos is Greek for “head”, perhaps used here because Cephalus was the founding “head” of a great family that includes Odysseus. It could be that Cephalus means the head of the Sun…
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19 Works, November 15th. is Aniello Falcone’s day, his art, illustrated with footnotes #235
Aniello Falcone (15 November 1600–1656) was an Italian Baroque painter, active in Naples and noted for his painted depictions of battle scenes. Some sources refer to him as Ancillo Falcone… Please follow link for full post
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01 Work, Contemporary Interpretations of Hellenic legends with footnotes #29. Luigi Bonazza; EUROPA
In Greek mythology Europa was the mother of King Minos of Crete, a woman with Phoenician origin of high lineage, and for whom the continent Europe was named. The story of her abduction by Zeus in the form of a white bull was a Cretan story; as classicist Károly Kerényi points out, “most of the love-stories concerning…
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Edward Dwurnik, Leda 01 Work, Contemporary Interpretations of Olympian deities, with footnotes #27
Leda, in Greek legend, usually believed to be the daughter of Thestius, king of Aetolia, and wife of Tyndareus, king of Lacedaemon. She was also believed to have been the mother (by Zeus, who had approached and seduced her in the form of a swan) of the other twin, Pollux, and of Helen, both of…
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William Oxer FRSA, Blest Pair Of Sirens 01 Work, Contemporary Interpretations of Olympian deities, with footnotes #25
According to Greek myths, sirens were powerful and erotic creatures, and many unsuspecting sailors would fall prey to their seductive beauty. The common belief was that they would devour sailors after their ships would crash into the rocks, as most men couldn’t resist the temptation of their sweet melodies and angelic faces. More on The Fisherman and…
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John Roddam Spencer Stanhope, ANDROMEDA 01 Painting, Olympian deities, by the Old Masters, with footnotes #41
Andromeda is the daughter of the Aethiopian king Cepheus and his wife Cassiopeia. When Cassiopeia’s hubris leads her to boast that Andromeda is more beautiful than the Nereids, Poseidon sends a sea monster, Cetus, to ravage Aethiopia as divine punishment. Andromeda is stripped and chained naked to a rock as a sacrifice to sate the monster,…
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Richard Ziegler; Judgment of Paris, 01 Work, Contemporary Interpretations of Olympian deities, with footnotes #24
The influence of the art of Italy and especially of the Renaissance can also be seen in this work. Thus, the frieze-like structure and the detailed representation of the vegetation to Paolo Uccello reminiscent, while Sandro Botticelli’s painting with the same subject Paris also on the right sitting on a stone with the golden apple…
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Peter Paul Rubens, The Calydonian boar hunt 01 Painting, Olympian deities, by the artists of their time, with footnotes #42
The Calydonian or Aetolian Boar is one of the monsters of Greek mythology that had to be overcome by heroes of the Olympian age. Sent by Artemis to ravage the region of Calydon in Aetolia because its king failed to honour her in his rites to the gods, it was killed in the Calydonian Hunt, in…
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Follower of Pietro da Cortona; A Roman Carrying a Sabine Woman 01 Painting, Olympian deities, by the Old Masters, with footnotes #42
Rape of the Sabine Women is the common name of an incident from Roman mythology, in which the men of Rome committed a mass abduction of young women from the other cities in the region. It has been a frequent subject of artists, particularly during the Renaissance and post-Renaissance eras. Use of the word “rape” comes from…
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Italian master; Caritas romana/Roman Charity 01 Work, RELIGIOUS ART – Interpretation the bible, With Footnotes – #133
The illustrated story goes back to the Roman author Valerius Maximus (14 AD-37 AD). The exemplary story of a woman, Pero, who secretly breastfeeds her father, Cimon, after he is incarcerated and sentenced to death by starvation. It was recounted approximately in 1362 by Giovanni Boccaccio (1313-1375). After him, several hundred paintings, drawings and sculptures were…
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Anatolij Brusilovski, Europa? 01 Work, Contemporary Interpretations of Olympian deities, with footnotes #22
In Greek mythology Europa was the mother of King Minos of Crete, a woman with Phoenician origin of high lineage, and for whom the continent Europe was named. The story of her abduction by Zeus in the form of a white bull was a Cretan story; as classicist Károly Kerényi points out, “most of the…
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Ellie Hesse, AMAZON I 01 Painting, Olympian deities, with footnotes #40
‘There is something truly astounding about the way a horse can be transformed from a calm and seemingly domesticated creature, one moment, into an explosion of power and wired emotion, the next. I find this unpredictability and expressiveness, fascinating and a great inspiration in my work. Historical representations of the equine form are another major…
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Tiziano Vecellio, Danae 01 Painting, Olympian deities, by the Old Masters, with footnotes #39
Disappointed by his lack of male heirs, King Acrisius asked the oracle of Delphi if this would change. The oracle announced to him that he would never have a son, but his daughter would, and that he would be killed by his daughter’s son. At the time, Danae was childless and, meaning to keep her…
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Giambattista Pittoni, The Sacrifice of Polyxenia 01 Painting, Olympian deities, by the Old Masters, with footnotes #40
Polyxena, in Greek mythology, a daughter of Priam, king of Troy, and his wife, Hecuba. After the fall of Troy, she was claimed by the ghost of Achilles, the greatest of the Greek warriors, as his share of the spoils and was therefore put to death at his tomb. In post-Classical times the story was…
Zaidan Gallery 