Tag: religion
-
01 Work, Interpretations of Olympian deities, Nicolaus Knupfer’s Theseus Proposing to Phaedra, with footnotes #29
Phaedra is a tragic play by Roman playwright Seneca. The play tells the story of Theseus’ wife Phaedra and her lust for her stepson, Hippolytus. However, Hippolytus despises women and wishes to remain pure, preferring to hunt and live in the woods. After Phaedra declares her love, Hippolytus lashes out and strikes to kill her for…
-
01 Russian Icon, An icon of St Euthymios the Great, with footnotes #58
St. Euthymius the Great, (born 377, Melitene, Armenia—died January 20, 473, Palestinian desert, northeast of Jerusalem; feast day January 20), ascetic and one of the great fathers of Eastern Orthodox monasticism, who established religious communities throughout Palestine. Orphaned in his youth, Euthymius was educated and later ordained priest by Bishop Otreus of Melitene. He was…
-
1 Religious Icon, Bernard van Orley’s THE VIRGIN AND CHILD, with footnotes #26
This is one of a number of versions of the composition, the finest of which is a picture formerly in the collection of Friedrich Glück, Budapest, considered by Baldass to be by Van Orley before 1520.1 A workshop version is in the Royal Collection (L. Campbell, The Early Flemish Pictures in the Collection of Her…
-
01 Work – Paintings from Norse mythology, Stepan Fedorovich Kolesnikoff’s Mythological scene, with footnotes – #04
Stepan Fedorovitch Kolesnikoff (1879, Russian Empire – 1955, Belgrade, Yugoslavia), was a distinguished Realist painter. Kolesnikoff was born in a peasant family in a southern province of the Russian Empire. His artistic potentials were recognized early. In 1897 he started attending an artistic school in Odessa, one of the topmost of its kind in the…
-
Salvador Dalí’s 12 Apostles (Knights of the Round Table) Suite of 12 Lithographs c. 1972, with footnotes
Though there is some discussion surrounding the identification of the figures, they are accepted to be: Christ, James the Lesser, James the Greater, “The Watcher” and Saints Andrew, Mark, John, Peter, Thomas, Jude, Matthew, and Phillip Identification has been made by examination of the images for symbols associated with each of them. More weight has…
-
04 Icons from the Bible, Mother of God Znamenie, Madonna del Parto, Christ is carrying our cross, Mother of God “Surety of sinners” and the Mandylio, with footnotes, #18
The Icon of the Mother of God, named the “Sign” (“Znamenie”), shows the Most Holy Mother of God seated with prayerfully uplifted hands. On Her bosom, against the background of a circular shield (or sphere) — is the Divine Infant giving a blessing. The Mother of God, known under the name “Znamenie-Sign”, appeared in Rus’ during the…
-
01 Painting, Olympian deities, Francesco Furini’s Hylas and the nymphs, with footnotes # 39
Hylas was the son of King Theiodamas of the Dryopians. After Hercules killed Hylas’s father, Hylas became a companion of Hercules. They both became Argonauts, accompanying Jason in his quest on his ship Argo in seeking the Golden Fleece. During the journey, Hylas was sent to find fresh water. He found a pond occupied by Naiads,…
-
01 Orientalist Painting, Edwin Lord Weeks’ Three Moorish princesses, with footnotes, #119
One of the best known legends of the Alhambra was that of the three captive princesses, in which a tyrannical Moorish king fathered beautiful triplet daughters, Zayda, Zorayda, and Zorahayda, by his young Spanish wife, whose Christianity he had forced her to renounce. To protect them from suitors when they became of “a marriagable age,” as…
-
01 Work, CONTEMPORARY Interpretation of the Bible! Fiona Maclean’s Madonna, With Footnotes – #47
A Madonna is a representation of Mary, either alone or with her child Jesus. These images are central icons for both the Catholic and Orthodox churches. The word is from Italian ma donna, meaning ‘my lady’. The term Madonna in the sense of “picture or statue of the Virgin Mary” enters English usage in the 17th…
-
01 Orientalist Painting, Georg Macco’s Bab Zuwayla, Cairo, with footnotes, #118
In the present painting the stand of the orange seller is placed just outside the Bab Zuwayla, the Southern Gate of Cairo’s Fatimid enclosure. Looking in through the archway, on the right one can see the Sabil-Kuttab of Nafisa Bayda (1796). On the left, there is an indistinct rendering of the facade of the Mosque-Mausoleum…
-
01 Work , RELIGIOUS ART, Philip Hermogenes Calderon’s St Elizabeth of Hungary’s Great Act of Renunciation – with footnotes #200
Elizabeth of Hungary (1207-1231) was the wife of Lewis, Landgrave of Thuringia. After his death in 1227 during one of the Crusades, she entered a convent and devoted herself to good works. Before becoming a nun, she passed through a spiritual crisis, torn by the need to renounce the world, and therefore her children, in order…
-
01 Orientalist Painting, Gustav Bauernfeind’ Recruiting of Turkish Soldiers in Palestine, with footnotes, #117
These actual events inspired Baurnfeind’s painting the present picture, a panoramic scene that extends from the closely observed crumbling seawall at left to the ocean vista on the right, anchored in the middle by a trading ship whose sail is emblazoned with the Islamic crescent. On the seawall, Ottoman officers in modern uniform meet with…
-
01 Work, RELIGIOUS ART – Jacob Cornelisz’s The Adoration of the Magi, With Footnotes – #136
The Adoration of the Magi (anglicized from the Matthean Vulgate Latin section title: A Magis adoratur) is the name traditionally given to the subject in the Nativity of Jesus in art in which the three Magi, represented as kings, especially in the West, having found Jesus by following a star, lay before him gifts of gold,…
-
01 Work, RELIGIOUS ART – Interpretation the bible, Edouard Kasparides’ The penitent Mary Magdalene in the cave, with Footnotes – 127
The penitent Mary Magdalene was a sinner, perhaps a courtesan, Mary Magdalen was a witness of Christ who renounced the pleasures of the flesh for a life of penance and contemplation. Penitent Magdalene or Penitent Magdalen refers to a post-biblical period in the life of Mary Magdalene, according to medieval legend. According to the tenets…