Tag: Orientalist
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07 Works, Today, March 24th, is St. Gabriel the Archangel’s Day, With Footnotes – #82
Gabriel, in the Abrahamic religions, is an archangel. He was first described in the Hebrew Bible and was subsequently adopted by other traditions. In the Hebrew Bible, Gabriel appears to the prophet Daniel to explain his visions. The archangel appears in such other ancient Jewish writings as the Book of Enoch. Alongside archangel Michael, Gabriel…
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Georges Clairin, PILGRIMAGE BY THE MOSQUE 01 Painting by the Orientalist Artists in their time, with footnotes, 79
Georges Jules Victor Clairin (11 September 1843, Paris – Pouldu, Clohars-Carnoët 2 September 1919) was a French Oriental painter and illustrator. He was influenced by oriental painting and Moorish architecture, and visited North Africa many times, in particular Morocco and Egypt. In Paris he led the life of a socialite, and befriended the glamorous actress Sarah…
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Edouard Verschaffelt, Fantasia 01 Orientalist Painting , with footnotes, 50
Fantasia is a traditional exhibition of horsemanship in the Maghreb performed during cultural festivals and to close Maghrebi wedding celebrations. “Fantasia” is an imported name, the actual traditional term used is lab el baroud. The performance consists of a group of horse riders, all wearing traditional clothes, who charge along a straight path at the…
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Herman-Maurice Cossmann, LA BELLE MAROCAINE/ THE PRETTY GIRL FROM MOROCCO 01 Painting by the Orientalist Artists in the Nineteenth-Century, with footnotes, #78
Born in Germany, Herman-Maurice Cossmann studied painting and etching at the studio of Eugene Lepoitevin. He began exhibiting his art at the Salon de Paris in 1845. Herman-Maurice Cossmann moved permanently to that city and became a French citizen several years later. Most of Cossmann’s art is in the medium of etching, where he excelled in…
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Rachid Talbi; Fantasia marocaine, Benimellal/ Moroccan fantasia 02 Paintings by Orientalist Artists, with footnotes, #96
Beni Mellal is a Moroccan city located in the country’s interior. It is the capital of the Béni Mellal-Khénifra Region. It sits at the foot of Jbel Tassemit, and next to the plains of Beni Amir. The walls of the city go back to Moulay Ismail, in 1688. More on Beni Mellal Fantasia is a traditional exhibition of horsemanship in…
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Clemente Pujol de Gustavinon, THE FORTUNE TELLER 01 Painting by the Orientalist Artists in the Nineteenth-Century, with footnotes, #77
In the Middle East, fortunetellers use tarot cards kept in red boxes and read coffee grounds and buy prophetic poems by medieval sages. In Iran, fortunetellers use jyotish (“the science of light”), a practice related to astrology that is said to have originated in Persia. Sessions often last two hours. Clemente Pujol de Gustavinon. Not only was…
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Louis Debucourt Philibert; CHARGE OF MAMELOUK 01 Painting by the Orientalist Artists in the Nineteenth-Century, with footnotes, 76
Mamluk is an Arabic designation for slaves. The term is most commonly used to refer to non-muslim slave soldiers and Muslim rulers of slave origin. The most enduring Mamluk realm was the knightly military caste in Egypt in the Middle Ages, which developed from the ranks of slave soldiers. The “mamluk phenomenon”, as David Ayalon dubbed…
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Léon Belly, GAZELLE HUNT IN EGYPT 01 Painting by the Orientalist Artists, with footnotes, 75
The proud stances of the camels and their riders, the fluttering robes, bright sun, and vivid colours combine to make this a work of true bravura, and bear testimony to Belly’s genius at capturing the stark light and desert winds of the Egyptian Sinai. Belly travelled to Egypt three times, in 1850, 1856, and 1857.…
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Andre Pater, Sandstorm 01 Painting by the Orientalist Artist, with footnotes, 74
Pater, Andre, Polish-American, (b. 1953) first came to the United States in 1981 after graduating from Krakow Academy of Fine Arts and cites Sir Alfred Munnings as his greatest inspiration. Pater has been painting in Lexington, Kentucky for over twenty years exemplifying his use of light, movement, and superb draughtsmanship. The horse capital of the world…
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Théodore Chassériau, Ali-Ben-Hamet 01 Painting by the Orientalist Artists in the Nineteenth-Century, with footnotes, 73
The Haraktas or Haractas are a group of Berber-speaking tribes living in the Wilaya of Oum El Bouaghi and Batna. During the Ottoman period , the tribe was the largest tribe in eastern Algeria. Constantine passed under Arab-Muslim administration around the year 700, and saw its population gradually convert to Islam. France embarked on the conquest of…
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Théodore Chassériau, Arab Combat 01 Painting by the Orientalist Artists in the Nineteenth-Century, with footnotes, 72
Théodore Chassériau (September 20, 1819 – October 8, 1856) was a French Romantic painter noted for his portraits, historical and religious paintings, allegorical murals, and Orientalist images inspired by his travels to Algeria. Chassériau was born in El Limón, Samaná, in the Spanish colony of Santo Domingo (now the Dominican Republic). In December 1820 the family…
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Georges Clairin, FANTASIA 01 Painting by the Orientalist Artists in the Nineteenth-Century, with footnotes, 71
Fantasia is a traditional exhibition of horsemanship in the Maghreb, performed during cultural festivals and to close Maghrebi wedding celebrations. “Fantasia” is an imported name, the actual traditional term used is lab el baroud. The performance consists of a group of horse riders, all wearing traditional clothes, who charge along a straight path at the same…
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Georges Washington, FORDING THE WADI 01 Painting by the Orientalist Artists in the Nineteenth-Century, with footnotes, 70
Wadi is the Arabic term traditionally referring to a valley. In some instances, it may refer to a dry riverbed that contains water only when heavy rain occurs. George Washington, born 15 September 1827 in Marseille and died November 19, 1901 in Douarnenez, was a French Orientalist painter. Like most aspiring artists, the young Georges Washington moved…
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Antonio María Fabrés y Costa, A GIFT FOR THE FAVOURITE 01 Painting by Orientalist Artists, with footnotes, 69
Antoni Maria Fabrés i Costa (Spanish: Antonio Maria Fabrés y Costa; 1854–1938), also known as Antoni Fabrés, was a famous Catalan sculptor and painter during the turn of the 20th century. It is said that he inherited his artistic skills, as his father was a draughtsman and his uncle a silversmith. He started studying at…
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Raphael von Ambros, TOBACCO SELLER, CAIRO 01 Painting by the Orientalist Artists in the Nineteenth-Century, with footnotes, 68
Von Ambros depicts a busy tobacco stall outside a coffee shop in the streets of Cairo. On the left, two young men roll cigarettes which have been neatly hung by the merchant on his stall. On the right, a customer samples a cigarette, pondering a purchase. Above the stall on a shelf stand five glass…
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Léon Belly, GAZELLE HUNT IN EGYPT 01 Painting by the Orientalist Artists in the Nineteenth-Century, with footnotes, 67
Belly travelled to Egypt three times, in 1850, 1856, and 1857. The Gazelle Hunt was most likely worked up from sketches Belly made in 1856 during his excursion into the Sinai desert with fellow painters Narcisse Berchère and Jean-Léon Gérôme. More on this painting Léon Auguste Adolphe Belly (1827–1877) was a French landscape painter. He was born at…
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Frederick Arthur Bridgman, STREET IN ALGERIA 01 Painting by the Orientalist Artists in the Nineteenth-Century, with footnotes, 66
Street in Algeria amply demonstrates Frederick Arthur Bridgman’s first-hand knowledge of North African life, and the proto-cinematic, highly finished compositions he painted at the height of his career. The work conveys a mood of quiet contemplation, as a rider takes a refreshing drink while conversing in the street, the woman next to him wearing a…
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Frederick Arthur Bridgman, YOUNG WOMAN IN A WHITE TURBAN 01 Painting by the Orientalist Artists, with footnotes, 65
Frederick Arthur Bridgman (November 10, 1847 – 1928) was an American artist, born in Tuskegee, Alabama. The son of a physician, Bridgman would become one of the United States’ most well-known and well-regarded painters and become known as one of the world’s most talented “Orientalist” painters. He began as a draughtsman in New York City, for…
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Hassan El Glaoui; Fantasia 01 Painting by the Orientalist Artists, with footnotes, 64
Fantasia is a traditional exhibition of horsemanship in the Maghreb performed during cultural festivals and to close Maghrebi wedding celebrations. “Fantasia” is an imported name, the actual traditional term used is lab el baroud. The performance consists of a group of horse riders, all wearing traditional clothes, who charge along a straight path at the same…
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Henri Emilien Rousseau; THE SULTAN FROM MOROCCO 01 Painting by the Orientalist Artists in the Nineteenth-Century, with footnotes, 63
Henri Rousseau Henry, Emilien Rousseau (Cairo 1875 – Aix-en-Provence in 1933) is an Orientalist painter. A pupil of Jean-Léon Gérôme at the Beaux Arts in Paris, he won the second Grand Prix de Rome in 1900 and a travel grant at the Salon of French Artists. He traveled to Belgium, the Netherlands, North Africa, Spain and…
Zaidan Gallery 