Tag: Mythology,
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Hendrick Goltzius, Lot and his daughters 01 Works, RELIGIOUS ART – Interpretation of the bible, With Footnotes – 104
Hendrick Goltzius Lot and his daughters, c. 1616 Oil on canvas h 140 cm × b 204 cm Rijksmuseum Lot and his daughters. Seated under trees by rocks, the daughters of Lot tempt their father. All three figures are presented naked and sitting or lying on the ground. The daughter on the left holds a…
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Kasia Derwinska, The world is not finished 01 Works, RELIGIOUS ART – CONTEMPORARY & 20th Century Interpretation of the Bible! With Footnotes – 24
Kasia Derwinska, Spain The world is not finished Color, Digital, Manipulated, Paint and Photo on Paper New Media Size: 15.7 H x 15.7 W x 0 in Private collection Kasia Derwinska “Photography is my way of communicating with the world. In my work, I talk about own experiences, thoughts, doubts, fears and hopes trying to…
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JOSEPH PETZL, The sunrise. Going to the Baptism 01 Works, RELIGIOUS ART – Interpretation the bible, With Footnotes – 103
JOSEPH PETZL, 1803 – München – 1871 The sunrise. Going to the Baptism Oil study on canvas. 29.5 x 23.2 cm Private collection Baptism is a Christian sacrament of admission and adoption, almost invariably with the use of water, into the Christian Church generally. The canonical Gospels report that Jesus was baptized. Baptism has been called…
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Ferdinand Leeke, The Mermaids – 01 Paintings and tales of Mermaids, with Footnotes, 7
Ferdinand Leeke, German 1859-1923 The Mermaids, c. 1921 – 1922 Oil on canvas 96.5x126cm Private collection A mermaid is a marine creature with the head and upper body of a female human and the tail of a fish. Mermaids appear in the folklore of many cultures worldwide. The first stories appeared in ancient Assyria. Mermaids can…
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Hans Memling, The Seven Joys of Mary; 01 Works, RELIGIOUS ART – Interpretation the bible, With Footnotes – 103a
Hans Memling, (circa 1433–1494) The Seven Joys of Mary, c. 1480 Oil on oak 81.3 × 189.2 cm (32 × 74.5 in) Alte Pinakothek, Munich, Germany In the center is detailed illustrated the legend of the Magi. In the left picture Quarter seen scenes from the life of Mary in the right quarter, inter alia, the…
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Artemisia Gentileschi, Santa Caterina di Alessandria, The National Gallery in London bought for £ 3.6 million a self-portrait of Artemisia Gentileski
Artemisia Gentileschi, (1593–1653) Santa Caterina di Alessandria, c. 1615 or 1618-1619 Oil on canvas Height: 77 cm (30.3 in); Width: 62 cm (24.4 in) Was at Uffizi Gallery They tried to break Saint Catherine of Alexandria on a wheel, but she survived. This is how the great female 17th-century painter Artemisia Gentileschi portrays herself in…
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Maurice William Greiffenhagen, The Mermaid. 01 Paintings and tales of Mermaids, with Footnotes, 5
Maurice William Greiffenhagen The Mermaid Oil on canvas Height: 100 cm (39.37 in.), Width: 100 cm (39.37 in.) Paisley Museum and Art Galleries (United Kingdom – Paisley, Renfrewshire) This early work both illustrated and was inspired by a poem by Goethe, which tells the story of a mermaid who rises from the waters to complain…
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Irving Penn, CROSSING THE RIVER STYX 01 Contemporary Interpretations, Olympian deities in classical Greek and Roman religion, with footnotes #5
Irving Penn, 1917-2009 ‘CROSSING THE RIVER STYX, c. 1996 Platinum-palladium print 15 1/2 by 25 5/8 in. (39.4 by 65.1 cm.) Private collection In Greek mythology, Styx is a deity and a river that forms the boundary between Earth and the Underworld. The rivers Styx, Phlegethon, Acheron, Lethe, and Cocytus all converge at the center of the…
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Tintoretto, Tarquin and Lucretia, c. 1578/80, 01 Paintings, PORTRAIT OF A LADY, Lucretia, with Footnotes. # 20
Tintoretto (Jacopo Robusti), Italian, 1518-1594 Tarquin and Lucretia, c. 1578/80 Oil on canvas 68 7/8 x 59 5/8 in. (175 x 151.5 cm) The Art Institute of Chicago Lucius Tarquinius Superbus, last king of Rome, being engaged in the siege of Ardea, sent his son, Sextus Tarquinius, on a military errand to Collatia. Sextus was…
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Marten de Vos, The Holy Family 01 Works, RELIGIOUS ART – Interpretation of the bible, With Footnotes – 102
Marten de Vos, (1532 – 1603) The Holy Family Oil / wood, parqueted 73 x 104 cm. Private collection Depicted is the family of St. Anne; as center Anna, the Virgin Mary with the baby Jesus, John the Baptist, as a boy, with his symbol the Lamb, laterally probably Joachim, on the left Elisabeth with John…
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Cheryl Wilson, Medusa 01 Contemporary Interpretations, Olympian deities in classical Greek and Roman religion, with footnotes #6
Cheryl Wilson, United States Medusa Acrylic, Ink, Gesso, Airbrush and Paper on Canvas 16 H x 20 W x 0.8 in Private collection In Greek mythology Medusa was a monster, a Gorgon, generally described as a winged human female with a hideous face and living venomous snakes in place of hair. Gazers on her face would turn…
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DANIEL HUNTINGTON, Figures at prayer 01 Works, RELIGIOUS ART – Interpretations of the Bible! , With Footnotes – 99
DANIEL HUNTINGTON, (American, 1816-1906) Figures at prayer oil on canvas 24-1/2 w. 19-3/4 in. Private collection Daniel Huntington (October 4, 1816 – April 19, 1906), was born in New York City, New York. He studied at Yale with Samuel F.B. Morse, and later with Henry Inman. From 1833 to 1835 he transferred to Hamilton College in…
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Edward Burne-Jones’s Art, in The Legend of the Briar Rose, inspired by the story of Sleeping Beauty, with artist’s studies and footnotes
The Legend of Briar Rose is the title of a series of paintings by the Pre-Raphaelite artist Edward Burne-Jones which were completed between 1885 and 1890. The four original paintings – The Briar Wood, The Council Chamber, The Garden Court and The Rose Bower – and an additional ten adjoining panels, are located at Buscot…
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MANNER OF SIR ANTHONY VAN DYCK, THE HOLY FAMILY 01 Works, RELIGIOUS ART – Paintings from the Bible by the Old Masters, with footnotes, 100
MANNER OF SIR ANTHONY VAN DYCK (1599-1641) THE HOLY FAMILY Oil on canvas 61 x 47.7cm Private collection The Holy Family consists of the Child Jesus, the Virgin Mary, and Saint Joseph. Veneration of the Holy Family was formally begun in the 17th century by Saint François de Laval, the first bishop of New France, who…