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Tag: Jesus

01 Works, RELIGIOUS ART – Today, December 7, is St Ambrose’s day, With Footnotes – 139

Dec 7, 2018

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Zaidan Art Blog

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Camillo Procaccini (1561–1629) St Ambrose Stopping Theodosius, second half of 16th centuryOil on canvasBasilica of Sant’Ambrogio Theodosius had, in his privileged youth, been military governor of Moesia. But after a charge of cowardice and his father’s execution for conspiracy he had languished in enforced early retirement in Spain. Yet when disaster hit the Roman world at…
Jaroslav Čermák, St. Nicholas 01 Works, RELIGIOUS ART – Today, December 6, is St. Nicholas’ day, With Footnotes – 138

Dec 6, 2018

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Zaidan Art Blog

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Jaroslav Čermák, (1831 – 1878)St. Nicholas Saint Nicholas of Myra (traditionally 15 March 270 – 6 December 343), was an early Christian bishop of the ancient Greek city of Myra in Asia Minor during the time of the Roman Empire. Saint Nicholas is the patron saint of sailors, merchants, archers, repentant thieves, children, brewers, pawnbrokers,…
Medieval icon of Saint Sabbas the Sanctified 01 Works, RELIGIOUS ART – Today, December 5, is Saint Sabbas the Sanctified’s day, With Footnotes – 137

Dec 5, 2018

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Zaidan Art Blog

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Medieval icon of Saint Sabbas the Sanctified Spiritual student of Saint Euthymius the Great at age 20. Anchorite from age 30, living in a cave, devoting himself to prayer and manual labor. He wove ten willow baskets each day. On Saturday he would take them to the local monastery, led by Saint Euthymius, and trade…
01 Works, RELIGIOUS ART – December 4, is St. Barbara’s day, With Footnotes – 136

Dec 4, 2018

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Zaidan Art Blog

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Wilhelm Kalteysen (1420–1496)Detail St. Barbara, Execution, c. 1447Tempera and gold on spruce woodHeight: 203 cm (79.9 ″); Width: 260 cm (102.3 ″)National Museum in Warsaw Saint Barbara is a former Christian saint and virgin martyr believed to have lived in Asia Minor in the 3rd century. Accounts place her in the 3rd century in Heliopolis of Syria,…
01 Works, RELIGIOUS ART – Today is Prophet Zephaniah’s day, With Footnotes – 130

Dec 3, 2018

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Zaidan Art Blog

in Icons

Prophet Zephaniah, old Russian Orthodox iconFirst quarter of XVIII centuryIconostasis of Kizhi Monastery, Karelia, Russia Zephaniah is the name of several people in the Hebrew Bible and Jewish Tanakh. His name is commonly transliterated Sophonias in Bibles translated from the Latin Vulgate or Septuagint. The most well-known Biblical figure bearing the name Zephaniah is the son of Cushi,…
Ivan Aivazovsky, Descent of Noah from Ararat 01 Works, RELIGIOUS ART – Interpretation of the bible, With Footnotes – 129

Dec 2, 2018

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Zaidan Art Blog

in Religious Art

Ivan Aivazovsky, (1817–1900)Descent of Noah from Ararat, c. 1889Oil on canvasHeight: 128 cm (50.3 in); Width: 218 cm (85.8 in)National Gallery of Armenia The people in this painting are not just Biblical figures, they are Aivazovsky’s dreamy imagining of his own romanticized Armenian roots combined with a vaguely conceived Orientalism that looked towards an old…
Emil Nolde, The Last Supper 01 Works, RELIGIOUS ART – CONTEMPORARY & 20th Century Interpretation of the Bible! With Footnotes – 24

Nov 16, 2018

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Zaidan Art Blog

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The Last Supper, c. 1909 Emil Nolde Oil, canvas 86 x 107 cm National Gallery of Denmark, Copenhagen, Denmark The Last Supper is the final meal that, in the Gospel accounts, Jesus shared with his Apostles in Jerusalem before his crucifixion. The Last Supper provides the scriptural basis for the Eucharist, also known as “Holy Communion” or…
Leonard Sarluis, Mocking of Christ. Crown of Thorns 01 Works, RELIGIOUS ART – Interpretation of the bible, With Footnotes – 128

Nov 16, 2018

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Zaidan Art Blog

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Leonard Sarluis, French(1874-1949) Mocking of Christ. Crown of Thorns, c. 1933 Oil on canvas 30″ wide by 391/4 ” tall Private collection The mocking of Jesus occurred several times, after his trial and before his crucifixion according to the canonical gospels of the New Testament. It is considered part of Jesus’ passion. According to the gospel…
Anthony Frederick Augustus Sandys, ST. DOROTHY 01 Works, RELIGIOUS ART – Interpretation of the bible, With Footnotes – 129

Nov 15, 2018

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Zaidan Art Blog

in Religious Art, Uncategorized

Anthony Frederick Augustus Sandys, 1832-1904 DOROTHY, c. 1904 Coloured chalk on cream paper with watercolour wash 40 by 30.5cm., 15¾ by 12in. Private collection The model for St Dorothy was the artist’s youngest daughter who was depicted several times by her father. The drawing was inspired by a poem by Sandys’ friend Swinburne first published…
William Mortensen, Joyzelle Joyner as Salomé 01 works, RELIGIOUS ART – Photography from the Bible, with footnotes, 3b

Nov 11, 2018

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Zaidan Art Blog

in Religious Art, Uncategorized

William Mortensen Joyzelle Joyner as Salomé Joyzelle Joyner (August 27, 1905 – November 30, 1980) was an American actress and dancer. She appeared in at least thirty films between 1925 and 1935, garnering some notoriety for her appearance in The Sign of the Cross. Joyner began appearing in films around 1924 or 1925, often playing dancers.…
John William Waterhouse, The Annunciation 01 Works, RELIGIOUS ART – Interpretation of the bible, With Footnotes – 128

Nov 8, 2018

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Zaidan Art Blog

in Religious Art, Uncategorized

John William Waterhouse, (1849–1917) The Annunciation, c. 1914 Oil on canvas Height: 99 cm (38.9 in); Width: 135 cm (53.1 in) Private collection The Annunciation referred to as the Annunciation to the Blessed Virgin Mary, the Annunciation of Our Lady, or the Annunciation of the Lord, is the Christian celebration of the announcement by the angel…
Herbert James Draper, Saint Dorothea 01 Works, RELIGIOUS ART – Interpretation of the bible, With Footnotes – 125

Nov 2, 2018

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Zaidan Art Blog

in Religious Art, Uncategorized

Herbert James Draper For Saint Dorothea’s Day, c. 1899 Oil on canvas 79 x 119 cm Private collection Dorothea of Caesarea (died ca. 311) is a 4th-century virgin martyr who was executed at Caesarea Mazaca. Evidence for her actual historical existence or acta is very sparse. She is called a martyr of the Diocletianic Persecution, although her…
Roberto Fabelo, encounter with the Virgin 01 Works, RELIGIOUS ART – Contemporary Interpretation of the bible, With Footnotes – 122

Oct 19, 2018

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Zaidan Art Blog

in Religious Art, Uncategorized

Roberto Fabelo, (b. 1950) Encuentro con la Virgen/ Encounter with the Virgin, c. 2007 Oil on Canvas 130.00 X 100.00 cm (50.7 X 39 in) Private collection Roberto Fabelo (born 1951 Camagüey, Cuba) is a contemporary Cuban painter, sculptor, and illustrator. Born in Guáimaro, Camagüey, Fabelo studied at The National Art School and at the Superior Art…
AFTER CARLO CIGNANI; CARITAS 01 Works, RELIGIOUS ART – Interpretation of the bible, With Footnotes – 120

Oct 18, 2018

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Zaidan Art Blog

in Religious Art, Uncategorized

AFTER CARLO CIGNANI (ITALY, 1628-1719) ITALIAN SCHOOL, LATE 19TH CENTURY. CARITAS Oil on canvas 116x139cm Private collection In Christian theology charity, Latin caritas, is understood by Thomas Aquinas as “the friendship of man for God”, which “unites us to God”. He holds it as “the most excellent of the virtues”. Further, Aquinas holds that “the…
Ivar Arosenius, Susanna och gubbarne 02 Works, RELIGIOUS ART – Interpretation the bible, With Footnotes – 120

Oct 16, 2018

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Zaidan Art Blog

in Religious Art, Uncategorized

Ivar Arosenius, (1878 – 1909) ”Susanna och gubbarne” (Susanna and the Elders), c. 1907 Watercolour on paper 5 x 5.5 cm Private collection A fair Hebrew wife named Susanna was falsely accused by lecherous voyeurs. As she bathes in her garden, having sent her attendants away, two lustful elders secretly observe the lovely Susanna. When…
19th century, Standing Madonna with the Christ Child 01 Ivory Carvings & Sculpture from the Bible! 15 & 16th Century. With Footnote, # 14

Oct 8, 2018

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Zaidan Art Blog

in Religious Art, Uncategorized

19th century, made of the tip of a cane Standing Madonna with the Christ Child Ivory Carvings H 24 cm Private collection The Madonna and Child or The Virgin and Child is often the name of a work of art which shows the Virgin Mary and the Child Jesus. The word Madonna means “My Lady” in…
Bernard Buffet, Le Christ : Ayez Pitié, Christ: Have Mercy 01 Works, RELIGIOUS ART – CONTEMPORARY & 20th Century Interpretation of the Bible! With Footnotes – 23

Oct 6, 2018

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Zaidan Art Blog

in Religious Art, Uncategorized

Bernard Buffet Le Christ : Ayez Pitié, Christ: Have Mercy, c. 1961 Lithograph 76 x 56 cm Private collection Christ: Have Mercy is a common name of an important prayer of Christian liturgy, also called the Kyrie eleison. Τhe phrase Kýrie, eléison, or one of its equivalents in other languages, is one of the most oft-repeated phrases…
Guillaume Courtois, THE MARTYRDOM OF SAINT ANDREW 01 Works, RELIGIOUS ART – Interpretation the bible, With Footnotes – 119

Oct 4, 2018

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Zaidan Art Blog

in Religious Art, Uncategorized

Guillaume Courtois, dit Il Cortese, SAINT-HIPPOLYTE 1628 – 1679 ROME THE MARTYRDOM OF SAINT ANDREW Oil on canvas 64,5 x 45 cm ; 25 3/8 by 17 3/4 in Private collection Andrew the Apostle (from the early 1st century – mid to late 1st century AD), also known as Saint Andrew was a Christian Apostle and…
South German School, The scourging of Christ 01 Works, RELIGIOUS ART – Interpretation the bible, With Footnotes – 116

Sep 25, 2018

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Zaidan Art Blog

in Religious Art, Uncategorized

South German: around 1500 The scourging of Christ Oil on wood 22.5 x 21.5 cm Private collection The Flagellation of Christ, sometimes known as Christ at the Column or the Scourging at the Pillar, is a scene from the Passion of Christ very frequently shown in Christian art, in cycles of the Passion or the larger subject of the…
Albrecht Bouts, CHRIST CROWNED WITH THORNS AND THE VIRGIN OF SORROWS 01 Works, RELIGIOUS ART – Interpretation the bible, With Footnotes – 115

Sep 21, 2018

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Zaidan Art Blog

in Religious Art, Uncategorized

Follower of Albrecht Bouts, Late 16th Century CHRIST CROWNED WITH THORNS AND THE VIRGIN OF SORROWS Oil on panel 29 1/2 by 39 1/2 in.; 75 by 100.5 cm. Private collection According to three of the canonical Gospels, a woven crown of thorns was placed on the head of Jesus during the events leading up…

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The central challenge of history painting lay in selecting a particular subject that could engage the heart and instruct the mind. In devising appropriate figures, the painter demonstrated his mastery of anatomy and expression. Grand settings and symbolic accessories proved the artist’s grasp of perspective depth and still-life draftsmanship. Compositions and color schemes had to be carefully conceived to accentuate the principal characters and to clarify the meanings of the incidents. National Gallery

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